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Type a scene. Get an empty set. Move a camera through it. Pull nine angles in seconds.
One person. One browser tab. One afternoon. A film.
The old way vs. this
What an indie feature spends on locations, crews, sets, cast holds and mix stages — done in one browser tab.
Traditional Production
Autoplay Virtual Stage
How it works
It's not one trick. It's four steps that hand off to each other, so the idea you typed is still the idea on screen.
Act 01
Your art department, in a text box
Describe the scene like you would to a production designer. You get back a plan — mood, palette, props by role — ready to use.
No mood-board hunt. No back-and-forth with concept artists. Edit the brief and it flows straight into the next step.
Open Set DesignerAct 02
A location, ready for your cast
Make a real-looking, EMPTY set. No people, no silhouettes, no concept-art sheen. And winter never puts snowdrifts on a kitchen floor.
Set Designer talks like a real cinematographer — focal lengths, ceiling heights, motivated light, worn materials — so frames look like location-scout photos, not slop.
See empty stagesAct 03
One frame, a moving shot
Pick a camera move — orbit, arc, dolly, crane — and the empty set becomes a moving shot that starts on the exact frame you okayed. Blend two moves, set how strong each is, or lock a first and last frame and let the camera travel between them.
Over a hundred named moves, each with a preview, from quick drafts to final quality. No dolly track, no crane crew — and no guessing what the camera will do before you spend credits.
Direct a camera moveAct 04
Nine angles, on purpose
Pull nine real camera angles of the same moment in one click. Extreme wide to close-up — it speaks shot list, not slop.
Your cast stays put across every angle, and each one is a genuinely different frame, not nine near-copies. A real crew loses half a day per setup. You lose seconds.
Direct a sequenceThe whole crew
Not a plug-in. The whole production line, start to finish — and every step hands off to the next.
By the Numbers
The Pitch
“Type a scene. Get an empty set. Move a camera through it. Pull nine angles in seconds. Cast an actor who stays in character and speaks in their own voice. Cut it on the timeline. Mix the sound. Ship it, checked.”
One person. One browser tab. One afternoon.
A film.